The Nikon D850 is Nikon’s latest high resolution full-frame DSLR, boasting a 46MP backside-illuminated CMOS sensor. But, in a fairly radical departure for the series, it is also one of the company’s fastest-shooting DSLRs. This combination of properties should significantly widen the camera’s appeal to high-end enthusiasts as well as a broad range of professional photographers.
- 45.7MP BSI CMOS sensor
- 7 fps continuous shooting with AE/AF (9 with battery grip and EN-EL18b battery)
- 153-point AF system linked to 180,000-pixel metering system
- UHD 4K video capture at up to 30p from full sensor width
- 1080 video at up to 120p, recorded as roughly 1/4 or 1/5th speed slow-mo
- 4:2:2 8-bit UHD uncompressed output while recording to card
- 1 XQD slot and 1 UHS II-compliant SD slot
- Battery life rated at 1840 shots
- 3.2″ tilting touchscreen with 2.36M-dot (1024×768 pixel) LCD
- Illuminated controls
- 19.4MP DX crop (or 8.6MP at 30fps for up to 3 sec)
- SnapBridge full-time Bluetooth LE connection system with Wi-Fi
- Advanced time-lapse options (including in-camera 4K video creation)
The use of a backside illuminated (BSI) sensor means that the light collecting elements of the sensor are closer to the surface of the chip. This should not only increase the efficiency of the sensor (improving low light performance) but should also be expected to make the pixels near the edges of the sensor better able to accept light approaching with high angles of incidence, improving peripheral image quality.
Like the D810 before it, the D850 continues to offer an ISO 64 mode, that allows it to tolerate more light in bright conditions.
The D850 has gained a more usable electronic first curtain shutter option, which can now be used quiet shutter mode, as well as live view and Mirror-Up mode. To get the full benefit, though, you need to turn on exposure delay (which has had two sub-second delay settings added). However, exposure delay persists across all shooting modes. Thankfully, and presumably thanks to a redesigned shutter and mirror mechanism, our quick check with a pre-production model suggests shutter shock may not be an issue, even without engaging it.
The D850 has no anti-aliasing filter, which should allow for slightly finer detail capture but with added risk of moiré, if any of your lenses are sharp enough to out-resolve a 45.7MP full-frame sensor. There’s still no sign of the clever design Nikon patented so, unlike the Pentax K-1 or Sony RX1R II, you can’t engage an anti-aliasing effect if you do find false color appearing in densely patterned areas.
In addition to the increased speed, the D850 also gains the full AF capabilities of the company’s flagship sports camera: the D5. This includes all the hardware: AF module, metering sensor and dedicated AF processor, as well as the full range of AF modes and configuration options, which should translate to comparable focus performance combined with high resolution.
Given the D5 possessed one of the best AF systems we’ve ever seen and could continue to offer that performance in a wide range of conditions and shooting scenarios with minimal need for configuration, this is an exciting prospect.
As part of this system, the D850 gains the automated system for setting an AF Fine Tune value. It only calibrates the lens based on the central AF point and for a single distance, but it’s a simple way to ensure you’re getting closer to your lenses’ full capabilities, which is handy given you’ll now be able to scrutinize their performance with 46MP of detail.
Impressively, the D850 can shoot at nine frames per second if you add the optional MB-D18 battery grip and buy an EN-EL18b battery, as used in the D5. As well as increasing the camera’s burst rate, this combination also ups the battery life to a staggering 5140 shots per charge. You don’t get this same boost in speed or endurance if you use a second EN-EL15a in the grip, though.
An MB-D18 plus an EN-EL18b is likely to set you back over $580 over and above the cost of the camera body ($399 for the grip, around $149 for the battery, $30 for the BL-6 battery chamber cover plus the cost of a charger).
The D850 also includes a sufficiently deep buffer to allow fifty-one 14-bit losslessly compressed Raw files, meaning the majority of photographers are unlikely to hit its limits.
In terms of video the D850 becomes the first Nikon DSLR to capture 4K video from the full width of its sensor. The camera can shoot at 30, 25 or 24p, at a bitrate of around 144 Mbps. It can simultaneously output uncompressed 4:2:2 8-bit UHD to an external recorder while recording to the card.
At 1080 resolution, the camera can shoot at up to 60p, with a slow-mo mode that can capture at 120 frames per second before outputting at either 25 or 24p. The 1080 mode also offers focus peaking and digital stabilization, neither of which are available for 4K shooting.
Body & Camera Features
The D850’s body is primarily made from magnesium alloy and fairly closely resembles the D810. The newer model gains a D750-style flip up/down cradle for its rear screen, which is not only much higher in resolution but also touch sensitive. Unlike the D5 and D500, this touch sensitivity can be used in live view mode and for navigating menus, as well as for in playback mode.
The camera’s grip has been reworked, making it more comfortable than the D810 when holding the camera for long periods or with heavy lens combinations.
The most obvious visual difference between the cameras is a different viewfinder hump, with the new camera having no built-in flash. Instead, strobe users will have to make do with the flash sync socket or purchase the WR- radio control trigger set (the WR-A10, WR-R10 and WR-T10 that allow remote triggering of the camera or remote control of radio compatible flashguns such as the Speedlight SB-5000).
Nikon says that the removal of the onboard flash allows the D850 to be better weather-sealed than the D810, since there are fewer seams on the top of the camera to protect against moisture ingress.
As with the Nikon D5, the D850 has a 153-point AF system featuring 99 cross-type points. The central AF point is rated as working in light as low as -4EV, with the rest still active at -3EV (and, since the metering sensor is meant to work down to this level too, it may still be possible to use the camera’s 3D tracking mode in these very low light conditions). Fifteen of the camera’s AF points clustered near the center of the frame will work with lens + teleconverter combinations with maximum apertures of just F8, which should make it useful for pursuits such as birding.
This Multi-Cam 20K AF system, like the D5’s, offers a good degree of frame coverage for a full frame camera: 30% wider than on the D810, the company says. The move from the D810’s 91,000-pixel metering sensor to the D5’s 180,000-pixel chip should improve subject recognition. This and the inclusion of a dedicated AF processor means the D850 should be a match for the D5, which can keep AF points on a moving subject even in continuous shooting, rather than subject tracking performance dropping noticeably during bursts, as the D810’s did.
So far as we understand, the only significant difference between the D850’s AF system and the D5’s is the viewfinder display. The D5 has an organic electro-luminescent display layer that allows it to light the active AF points as they change in 3D tracking mode, the D850 has an LCD layer on which the points only light up when they’re manually moved or when focus is initiated or acquired.
The removal of the camera’s built-in flash frees up room for a new viewfinder, so magnification is able to leap from 0.7x to 0.75x which is the largest optical viewfinder on any Nikon DSLR. The larger finder, which features a new condenser lens and an aspherical element in the design, retains a reasonable (17mm) eye point, as we understand, so the whole scene should be visible even for most glasses wearers.
As with previous Nikon cameras, the D850 has intervalometer functions built in, so that you can capture time lapses without any external accessories. This feature can be combined with the camera’s silent shutter live view mode, to avoid vibration or excessive wear on the mechanical shutter, though with the risk of rolling shutter.
The camera can either assemble the images together in a 4K video or retain the full resolution files, to allow you to create a full resolution time-lapse in third-party software. Nikon uses the camera’s high resolution to brand this second capability as “8K Timelapse,” since the images exceed the 7680 × 4320 dimension of that video format.
Like previous Nikons, the intervalometer lets you specify the number of shots and the delay between them but now adds the ability to create a new folder and reset the file numbering for each time lapse sequence, so that the files can easily be isolated and transferred to 3rd-party software.
The D850 can also use this ‘new folder and reset the counter’ approach for another of its features. The Focus Shift mode prompts the camera to shoot a series of photos at different focus distances. You can specify the number of images, the size of the distance steps and whether there’s a delay between each shot. Unlike the similar feature on Olympus and Panasonic cameras, the Nikon can’t combine the resultant images, but it can place them in a separate folder to make it easy to import them into 3rd-party focus stacking software.
We’re told the focus steps will be selected on a dimensionless 0-10 scale, presumably because the distance of the increments will vary depending on the type of lens you use.
The D850 includes Nikon’s SnapBridge connectivity system. This establishes a full-time Bluetooth LE connection between the camera and compatible smart devices. This is a step forward from the D810, which had no built-in wireless options, however, we have not found the SnapBridge system to be a good match for high-end systems in the past.
Existing implementations of SnapBridge lean very heavily towards using the Bluetooth connection to transfer images (unlike Samsung and Canon’s approaches, which use it just to keep lines of communication open, so that Wi-Fi communication can be established more rapidly). The camera can transfer every image it shoots automatically either at 2MP or in full resolution, but only over Bluetooth. Select the images on the camera and those will be sent (slowly) over Bluetooth, too. The only way of accessing Wi-Fi and its greater transfer speed is to use the app to browse your memory card and select from there.
Without a significant reworking of the SnapBridge app, we are concerned that the combination of a high-speed 46MP camera and a primarily Bluetooth-based connection with no ability to send Raw files will be inappropriate for the typical D850 user.
The Sony a99 II showed it was possible to offer high resolution images and fast shooting, but the D850 takes this a step further. There are some ‘ifs,’ of course, but if the sensor can offer the low ISO image quality of the D810 combined with the AF of the D5 at between seven and nine frames per second, then it could really be a camera for all disciplines, from high res studio work to street fashion, weddings, sports, landscapes…
Whether it lives up to this promise will come down to the implementation, and it’s what we’ve experienced of this, hands-on, that leaves us impressed. For a start, it seems that a revised shutter and mirror mechanism has resolved the shock issues the D810 exhibited with longer lenses. This is a critical improvement for such a high resolution camera and one that isn’t directly covered in the specs, but our quick shots suggest it’s done the job.
We weren’t able to examine the camera’s high ISO performance, but a quick check at base ISO suggests the ISO 64 mode does offer a DR advantage over ISO 100, which is what allowed the D810 to match the dynamic range performance of the GFX 50S and Pentax 645Z. We’ve also not had a chance to check the shadows, so this is a very preliminary impression, but ISO 64 does seem to be a ‘real’ sensitivity setting (i.e., not just ISO 100, but clipping earlier).
Create Magical Moments
Lightweight, fun and easy to use, the Canon EOS Rebel SL2 camera further proves that quality is key, helping you capture stunning photos and videos you’ll love to see and share. The 24.2 Megapixel CMOS (APS-C) sensor and DIGIC 7 Image Processor deliver brilliantly sharp results, with Dual Pixel CMOS AF keeping your videos and photos in clear focus. Whether you’re taking selfies or vlogging, the Vari-angle Touch Screen LCD helps capture shots at a variety of angles and situations. A Feature Assistant function is available to help guide you through a shot if needed, and when you’re done you can share your creations on the spot thanks to built-in Wi-Fi®*, NFC** and Bluetooth®*** connectivity. Easy to bring and simple to operate, the EOS Rebel SL2 puts creative power in your hands.
The Canon EOS Rebel SL2 camera has a powerful 24.2 Megapixel CMOS (APS-C) sensor that can capture high-resolution images of immense quality in a wide variety of lighting situations. Take photos and videos with fine details and dynamic, rich colors from the deepest reds to emerald greens to lush blues and purples. Simply turn the camera on and feel confident that the results will be stunning whether they are being shared with your friends on social media or blown up into poster-sized prints.
Line up the shot you want in Live View with virtually no wait for the EOS Rebel SL2 camera to focus thanks to Dual Pixel CMOS AF which helps deliver the world’s fastest autofocusing speed at 0.03 sec.^ Equipped with phase-detection, it can quickly and accurately determine how far away a subject is and where the lens should focus, and offers fast, smooth and precise autofocus that stays locked onto your subject, even if they are in motion, for both photos and videos. Dual Pixel CMOS AF helps ensure your results are sharp, keeps the time it takes to lock focus onto your subject to a minimum and smoothly maintains focus where you want it.
The EOS Rebel SL2 camera features a Vari-angle Touch Screen LCD that can be ideal for composing and reviewing your photos. Tap the screen during Live View while taking photos or videos and thanks to Dual Pixel CMOS AF, the EOS Rebel SL2 will quickly lock focus to that location in the image. Touch gestures can be used for zooming in or swiping through images after you’ve taken them, and menu and quick control settings can be accessed quickly and easily. In addition, the Vari-angle Touch Screen LCD lets users utilize Selfie Mode with a touch of a button so you can capture high-quality selfie shots with ease.
Built-in Wi-Fi®* Capability
The EOS Rebel SL2 camera is designed to make connecting to Wi-Fi®* fast and easy. It can exchange data with other Wi-Fi® compatible Canon cameras, and transfer files directly to a compatible smart device using the Camera Connect app. Just press the Wi-Fi® button and the camera will connect to Wi-Fi® allowing you to share and upload directly to various web services like CANON iMAGE GATEWAY#, Facebook® and YouTube® as well as print directly to compatible wireless Canon printers.
Built-in NFC** Capability
With its built-in NFC (Near Field Communication) capability**, the EOS Rebel SL2 camera connects directly to compatible Android devices as well as Canon’s Connect Station CS100 device by simply touching the NFC icon located on the camera to the device.
Built-in Bluetooth®*** Capability
Bluetooth®*** pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app*. The Bluetooth® capability uses a low-energy connection that can be set to connect automatically upon discovery of the two devices and helps preserve battery life while maintaining a wireless connection. You can also establish a direct Wi-Fi® connection to use your phone as a viewfinder, as well as check and download previously captured photos and videos. In addition, Bluetooth® lets you connect to the optional Wireless Remote Control BR-E1 for remote shooting as well as pick up GPS shooting location data from the user’s compatible smartphone.
The Canon EOS Rebel SL2 camera supports Full HD quality movies at 60p and can produce incredibly smooth moving images for playback, or for sharing videos on social media. Vloggers will appreciate the ease with which it can record quality audio that’s immediately ready for uploading. For even more sophisticated sound recording, the EOS Rebel SL2 has an external microphone input to complement its internal microphone.
The DIGIC 7 Image Processor powers the Canon EOS Rebel SL2 camera to produce high image quality and fast operation, even in in low light. When using high ISO settings, the image processing helps keep results sharp and detailed in virtually any lighting situation. Powerful all around, the DIGIC 7 Image Processor helps ensure your photos and videos look sharp and lifelike with minimal noise or grain.
Especially useful when shooting in bright light, the Canon EOS Rebel SL2 camera incorporates a fully featured optical viewfinder with a wide-area, 9-point AF system designed to achieve sharp focus in an instant. This sophisticated AF system makes it easy to capture the action, no matter where the subject moves. 63-zone evaluative metering helps the EOS Rebel SL2 achieve optimal exposure with a diverse array of subjects and lighting conditions.
With its Feature Assistant function, the EOS Rebel SL2 camera helps users take advantage of its advanced features and create impressive photos with ease. By explaining and illustrating the camera’s shooting modes and their effects with sample photos of each mode, Feature Assistant encourages experimentation and provides guidance for creating amazing photographs.
The smallest and lightest EOS DSLR camera to feature both an APS-C sensor and a Vari-angle LCD, the EOS Rebel SL2 is easy to bring with you. With improvements in design and construction, the EOS Rebel SL2 is portable and lightweight with no compromise in performance. Its compact construction is accompanied by excellent usability, including a rounded grip that can sit comfortably in your hand. Conveniently sized for everyday use, the EOS Rebel SL2 means less missed opportunities and more memories preserved and shared in high image quality.
So get ready to buy this most awaited DSLR from Canon from www.thirdidigital.in
For superb performance on the go, the Canon EOS 6D Mark II camera puts full-frame performance into a compact, fully featured DSLR. Its 26.2 Megapixel CMOS sensor and DIGIC 7 Image Processor help deliver amazing results even at expanded ISO settings, making it great for challenging low-light situations as well as landscape, portrait and event photography. The EOS 6D Mark II also features an impressive optical viewfinder with 45 all cross-type AF points*, fast and accurate Dual Pixel CMOS AF and a Vari-angle Touch Screen LCD for Live View operation which helps create unique angles. With the EOS 6D Mark II’s speed to capture action and the versatility to create phenomenal photographs and Full HD 60p videos in numerous environments and lighting situations, the camera offers creative content makers a winning combination of advanced features in a portable package that’s as fun as it is powerful.
The Canon EOS 6D Mark II features a 26.2 Megapixel full-frame CMOS sensor (approx. 35.9mm x 24.0mm) designed to create high-resolution and detailed images. Capable of sensitivities ranging from ISO 100 to ISO 40000 (expandable to L: 50 and H2: 102400), the EOS 6D Mark II’s sensor captures images of 6240 x 4160 pixels with a pixel size of 5.67 µm square for outstanding detail and a superb signal-to-noise ratio, resulting in great images. Combined with the EOS 6D Mark II’s compact and lightweight design, it helps make high-resolution photography easy and accessible.
For next-level AF operation, the Canon EOS 6D Mark II camera has a wide-area, 45-point all cross-type AF system* which allows you to track fast subjects accurately throughout the frame and has low luminance performance to EV -3 which makes it excellent in dim light. Canon’s high-precision AF system, high-quality bright prism and Intelligent Viewfinder II let you see exactly what the lens sees. These features help provide instant information such as camera settings, with a limited chance of glare so you can easily see and quickly change settings on the spot no matter the shooting situation. The EOS 6D Mark II also features 5 types of AF area selection modes useful for a number of different AF situations.
The Canon EOS 6D Mark II camera features Canon’s brilliant Dual Pixel CMOS AF for crisp Live View shooting. With two photodiodes per pixel capable of phase-difference detection autofocus, Dual Pixel CMOS AF delivers fast and accurate AF throughout the image plane. Able to detect shifts in movement at the pixel level, Dual Pixel CMOS AF enables continuous automatic AF and AF tracking that enhances overall camera operation for sharp still images and smooth, accurate focus transitions in movies, even at Full HD 60p.
The DIGIC 7 Image Processor powers the Canon EOS 6D Mark II camera to produce high image quality and fast operation, even in in low light. The camera features a wide range of ISO 100–40000 for still and videos and it can help keep results sharp and detailed in virtually any lighting situation. Powerful all around, the EOS 6D Mark II can produce beautiful images even where light is limited.
The Canon EOS 6D Mark II is the first full-frame Canon EOS DSLR camera to have a Vari-angle Touch Screen 3.0-inch ClearView LCD II monitor for composing and reviewing photos and movies with ease. Its touch sensitive controls make it easy to select and adjust focus, menu and quick control settings with a touch of a finger. Two-finger touch gestures can be used for zooming or changing images. The 1.04 million dot LCD monitor is constructed to help minimize reflections and treated with a smudge-resistant coating for a bright, clear and easily viewable display.
Built-in Wi-Fi®** Connectivity
For a useful and quick workflow in a variety of locations, the Canon EOS 6D Mark II camera’s built-in Wi-Fi®** feature can help streamline camera operations across the board. Using the free Canon Camera Connect app** on a compatible iOS® or Android™ device, the EOS 6D Mark II can easily be set up to shoot remotely from a distance, even in Live View mode, with complete control of settings such as aperture, shutter speed, ISO, focus and shutter release. Image review and transfer are similarly fast and easy without having to take the camera out of its bag. Still images can even be transferred between two wireless-enabled Canon cameras over a Local Area Network (LAN). Images and video can also be uploaded instantly to CANON iMAGE GATEWAY# for easy sharing on social networking sites, and photos can even be printed on a wireless PictBridge-certified printer without the need for a PC.
Built-in NFC*** Capability
Built-in NFC*** (Near Field Communication) technology helps provide the Canon EOS 6D Mark II camera with a virtually seamless connection to compatible Android™ devices***. Simply tap to connect and transfer images and videos. It’s also compatible with the Canon Connect Station CS100 device, which makes it simple for photographers and moviemakers to view and organize all their photos and videos on one connected device.
Built-in Bluetooth®^ Capability
Bluetooth®^ pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. The Bluetooth® capability uses a low-energy connection that can be set to connect automatically upon pairing of the two devices and helps preserve battery life while maintaining a wireless connection. Bluetooth® lets you quickly and easily connect the EOS 6D Mark II camera to the optional Wireless Remote Control BR-E1 for remote shooting.
Built-in GPS^^ Capability
When you’re capturing images while traveling on vacation or if you’re on the job, GPS has become an important and valuable tool. The EOS 6D Mark II camera’s built-in GPS helps content creators both tag their images with critical location data, and also adjust the time and timestamp on the camera automatically. Since it’s compatible with American GPS satellites, Russian GLONASS satellites and Japanese quasi-zenith satellites Michibiki, the GPS information can stay consistent and accurate.
The EOS 6D Mark II camera is designed to keep up with the action. Its remarkable shutter, advanced AF and exposure and image processing systems help ensure virtually instantaneous response and performance at up to 6.5 fps^^^, even at full resolution. Whether searching for candid moments at a wedding or capturing an athlete’s explosive motion, the EOS 6D Mark II doesn’t let file size compromise the speed of capture even when bracketing exposures of a complex lighting situation, helping photographers and moviemakers consistently attain high-quality and sharp images.
The EOS 6D Mark II camera is built for uninterrupted performance, even when conditions get messy. The battery compartment cover, card slot cover, lens mount, terminal covers and buttons are weather-sealed to help keep water and dust out. The EOS 6D Mark II’s high precision aluminum alloy and polycarbonate resin construction ensures a lightweight and durable camera that gives you the confidence to use in various situations.
Now where to buy just wait it is being sold soon on www.thirdidigital.in
Whether it be in the mountains, on the beach, or in the snow, the Tough series can withstand the most punishing environments. The TG-5 is the pinnacle of the Tough series, and its new image sensor and new TruePic VIII image processor deliver significant improvements to image quality. It is equipped with a Field Sensor System which records various field data so you can recreate the shooting experience on your smartphone. Take this camera with you to make outdoor activities, such as mountain climbing and diving, even more fun.
Further advanced image quality and Tough performance
The TG-5 is equipped with the latest image sensor and image processor, and a bright f/2.0 high-resolution lens for high image quality. Its Tough performance and anti-fog dual-pane protective glass make for worry-free use in the harshest environments.
The Field Sensor System lets you relive your experiences
Data, such as latitude/longitude, temperature, and altitude/depth, recorded by the Field Sensor System during your shoot can be imported to your smartphone using the Olympus Image Track app to realistically recreate the experience of shooting.
4K Movie Compatibility
The TG-5 features significant improvements in video recording. It is compatible with 4K Movie which provides the ability to capture a greater level of detail in your videos. High-speed Movie is also supported, providing 120-fps recording capability at Full HD resolution.
The Variable Macro System expands macro photography
The Variable Macro System consists of four shooting modes for expanded macro photography and two separately available accessories for close-up shooting. This system makes it possible to capture photos of the tiniest details that cannot be seen with the naked eye.
Versatile shooting modes for creative expression
The TG-5 is packed with a variety of shooting modes such as Underwater Mode optimised for underwater photography, and Pro Capture for capturing split-second movement. With these features, more creative expression can be achieved easily.
Superb controls and system expandability
Photography in the most punishing environments require excellent controls and system expandability. The TG-5 camera design has been improved with this in mind, for easier use and more versatile shooting.
Will Be soon available on www.thirdidigital.in
Let’s have a transitory look at the main features of Nikon D7500 vs Canon 77D. So, what may be the main differences when consider their specs list has got to offer.
If you’re trying to decide which one to buy as your first camera, here are the variances of Nikon D7500 vs Canon 77D cameras. Our comparison table below covers all the important specifications like sensor, image size, shooting speed, lcd size etc..
Nikon D7500 vs Canon 77D Comparison Table
|Features||Nikon D7500||Canon 77D|
|Sensor resolution||20.9MP APS-C CMOS||24.2-Megapixels|
|Max Image Resolution||5568 x 3712||6000 x 4000|
|Image Processor||EXPEED 5||Dual DIGIC 7|
|ISO||ISO 50 (exp)/ISO 100 – ISO 51200/ISO 1,640,000 (exp)||100 – 25,600 Boost: 51,200|
|AF System||Multi-CAM 3500FX II 51 point AF (15 cross-type)||Phase Detection 45 point all cross-type AF system|
|LCD||3.2″ / 8 cm Titling touchscreen 921,600 dots||3″ Rear Touchscreen Swivel LCD (1,040,000)|
|Viewfinder||Optical 100% coverage 0.94x/0.63 x||Optical (Pentaprism) 0.82x magnification 95% coverage|
|Shutter Speed||30-1/8000 sec||30 – 1/4000 sec|
|Flash X Sync Speed||1/250 sec||1/200 sec|
|Exposure Compensation||±5 (at 1/3 EV, 1/2 EV steps)||±5 (at 1/3 EV, 1/2 EV steps)|
|Video Recording (max. res)||H.264 QuickTime MOV 4K UHD/30p, 25p, 24p||1920×1080 (60/50/30/25/24p)|
|Jpeg Buffer Size||100||Unlimited|
|RAW Buffer Size||50||27|
|SD Slots||1 SD slot with uHS-I support||1 SD slot with uHS-I support|
|Wireless Connectivity||Wi-Fi with Snapbridge||Wi-Fi + NFC + Bluetooth|
|Battery Life||950 shots||600 shots|
|Dimensions||136 x 104 x 73 mm||131.0 x 99.9 x 76.2 mm|
|Weight||22.58 oz (640g)||19.0 oz (540g)|
Sony unveils FE 16-35mm F2.8 GMaster Series wide-angle lens. New addition to the company’s full-frame lineup provides constant F2.8 aperture.
With the release of the FE 16-35mm F2.8 GM lens the G Master series meets a fast wide-angle zoom. The lens features an 11-blade aperture design. Rounded aperture blades are designed to give near-perfectly circular rendering of out-of-focus detail between F2.8 and F5.6.The new FE 16-35mm F2.8 GM lens will start shipping this August.
The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s lineup of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations – landscapes, architecture, close up portraits, sports, action and much more. It is also exceptionally lightweight and compact, maximizing portability and usability.
The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and delivers the ultimate resolution throughout the entire zoom and aperture range. The front XA element on the FE 16-35mm F2.8 GM is the largest XA element ever produced, ensuring optimum quality. Additionally, two ED (Extra-low-Dispersion) glass elements keep chromatic aberration to a minimum while maximizing resolution, and Sony’s original Nano AR coating suppresses internal reflections to ensure excellent image contrast and clarity.
The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 blade aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”. It also has two DDSSMs (Direct Drive SSM) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies.
The FE 16-35mm F2.8 GM is also dust and moisture resistant1, has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customizable focus hold button and a hood release button.
Sony FE 16-35mm F2.8 GM Lens Key Features
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Two Extra-Low Dispersion Elements
- Three Aspherical and Two XA Elements
- Nano AR and Fluorine Coatings
- Two Direct Drive SSM AF Groups
- Focus Hold Button, AF/MF Switch
- Dust and Moisture-Resistant Construction
- Eleven-Blade Circular Diaphragm
Wait for the launch announcement’s